Micro Music Laboratories - Music Philosophy - Overture - Conveying Truth in Music - The Dimension

The Book “Natural Music Creation” is a document and – according to the author – it stands as a token of gratitude to all those great talents or even geniuses who, out of their innermost love for the art of sound, kept the inner reality of music alive throughout the times.

These outstanding personalities we know as our great musical creators. But also, this “autobiography of music” is a landmark of the generation of a new age, a generation which today, with scientific accuracy, penetrates into the mechanism of musical creativity, systematically performs research on it, and wants to authentically capture the art of our great masters of music. The first sense of achievement of the modern music student, then, lies in the development of his ability to listen to music creatively – that ability which since all times represents the timeless, true inner basis of the art of sound. Zitat

Reference work: Peter Huebner – Natural Music Creation – Music Theory © AAR EDITION INTERNATIONAL 1982

PHILOSOPHY

OVERTURE
CONVEYING TRUTH
IN MUSIC

I.
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC

II.
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION

III.
IMMORTAL AND MORTAL TRADITION OF MUSIC

IV.
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH

V.
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE

VI.
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC

VII.
ERRORS IN GAINING KNOWLEDGE IN MUSIC

VIII.
EQUIVOCATION

IX.
THE SECRET OF MUSIC

X.
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC

XI.
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC

XII.
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH