Micro Music Laboratories, Research, Classical Music Creation, Contents, Reference work: Peter Huebner

PART I
THE PROCESS OF CREATING MUSIC

. The World of Enlivened Silence
. The Origin of the Art of Sound
. Responsible Authorship
. The Firmament of Music
. Creative Music Listening
. Writing Down the Score
. The Conventional Practice of Notation
. The Error of the Interpreter
. The Language of Truth

PART II
THE CLASSICAL TEACHING SCOPE
OF MUSIC

. The Technology of Human Forces
. The Classical Scope of Music
. The Universe of Musical Sound-Spaces
. Authentic Conveyance of Truth
. The Musical Career
. The Creative Craft

PART III
THE INNER MECHANICS
OF CREATING MUSIC

. The Dimension of Music
. The Beginning and End of Creating Music
. The Natural Seat of the Musical Creator
. Control over the Composition
. The Free, Inner, Formative Will
. The Emperor of Music

PART IV
DIDACTICS OF MUSIC

. The Study of Musical Creativity
. Conventional Knowledge of Music
. Modern Music Analysis Music

PART V
THE FORCE-FIELDS IN MUSIC

. The Musical Performers and Their Laws
. The Motif
. The Masculine and the Feminine Musical Motif
. Training the Free Formative Will
. Motif Recognition
. Motif-Technique
. Power and Powerlessness of Musical Interpretation
. Scenes from the Inner World of Human Evolution
. Integration of Levels of Creativity
. The Differentiated Apprehension of the Power
of the Harmony
. The Perfection of the Formative Forces in Music
. The Melody
. The Manifold Shape of the Melody
. The Path of the Human Character in the
Musical Form
. The Sequence in Music
. The Gate of Harmony to the Outer Music

PART VI
THE PURPOSE OF MUSIC TRADITION

. Supreme Musical Knowledge
. Safeguarding the Individual Path of Life
. The Deeper Musical Sense
. The Concept of Space in Music

PART VII
SPACE AND TIME IN MUSIC

. The Concept of Space in Music
. The Two Ways of Experiencing Space
. Space-Experience in the Microcosm of Music
. Space-Time Integration in Music
. Space-Time Fusion through the Integration
of the Musical Spaces
. The Integrated Play of Time and Space
. The Potential of the Musician
. The Relationship of Rhythm and Tonality
. Field of Cognition – Enlivened Silence
. The Core of Practising the Art of Music
. Conventional and Modern Mechanisms
of Musical Performance

PART VIII
THE PHYSICS OF MUSIC

. The Dimension of the Tone
. Mastery over the Instrument
. Freedom of the Musician
. The System of the Conventional Presentation
   of Sound
. Unlimited Potential for Structuring the Musical
   Sound-Space
. The Fixed Tone
. Modern Sound Production
. The Long Forgotten World of the Microcosm
   of Music
. Entering the True World of Music
. Musical Sovereignty in the Inner-Tonal Planetary    Systems
. The Inner World of Power of the Melody

PART IX
THE SYSTEMS OF ORDER IN MUSIC

. Tonality
. Differences in Understanding as Reflected
by Language
. The Beginnings of Musical History
. The “New Sound” Composers of the 20th Century and the Range of Intervals
. Advancing to the Transcendental Play of Music
. Musical Insight into the Culture of Peoples
. Musical Relationships
. The Musical Path to Self-Knowlegde
. Homophony
. Polyphony
. The Counterpoint
. The Threefold Perfect Form of the Harmony
. Relations in Music

PART X
SCIENTIFIC FUNDAMENTALS
OF MUSIC AESTHETICS

. The Image of Musical Beauty
. The Embodiments of Harmony
. Motivation and Responsibility of the Musician
. Reversal of the Reality of Creating Music
. Analysis of the Process of Creating Music
. Music Theory
. The Natural Potential of the True Artist
. Synthesis of the Artistic and Cultural Achievement
of Music

PART XI
THE SCIENCE OF MUSIC

. Scope of the Science of Music
. The Inner Breath of Music
. The Function of the Inner Breath in Music
. The Scientific Aspect in Music
. The Perfect Musical Description
. The Twofold System of Music Analysis
of the Composer
. The Aspect of Humanities in Music
. The True Field of Science in Music
. The Sociology of Music
. The Ecology of Music
. The Physics of Music
. The Physiology of Music
. The Economy of Music
. Music Critique
. Dance in Music

PART XII
MUSIC AND SPEECH

. Speech
. The Superiority of Music over the Language
of Today
. Fundamental Research
. The Organ of Speech
. The Smithy of Thoughts
. Sovereignty over Bound and Free Creativity
. The Dimension of Creative Unfoldment
. Control over the World of Thinking
. Content and Form, Meaning and Structure
. The Share of the Senses of Perception in the Process of Gaining Knowledge
. The Language of Music
. How Our Ancestors Used Language
. Conclusions from the Ancient Records
. The Legacy of Our Ancestors
. The Task Set by Our Ancestors