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Micro Music Laboratories – Research & Developement
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PART   IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH

 

 


The Listener Gains
the Supreme
Musical Knowledge
of Truth


Guidance into the
Musical Realm of
Individual Freedom

 

 


The Quiet Ways of
Unconventional
Musical Considerations

 

 

The Musical Creator
as an Advisor on the
Path of Knowing


T
he Musical Path of
Knowledge from
External Influences
to One’s Own Power

The Musical Creator
Carries His Natural Responsibility

Therefore, the musical creator spares no personal effort; with skilful persuasion he induces the listener to walk the path towards higher musical knowledge – until the listener has reached the supreme musical knowledge of the harmony, and thereby, the field of his pure self-knowledge.

Certainly, the possibility of consideration always remains with the listener in the musical process of his evolution, but the composer persuades the listener, convinces him, beseeches him, entreats him earnestly, gives him new explanations again and again, and eventually guides him in these many ways with increasingly skilful persuasion out of the limitations of day-to-day life to the heights of musical knowledge, into the realm of individual freedom.

Also, the musical creator takes into account the fusspot, who, in the routine of his day-to-day life, tries to safeguard himself materialistically everywhere, and seriously believes in such security.
On quiet ways he takes him to the unconventional considerations of immortality, into a completely immaterial world – without any materialistic safety, indeed, without even a thought of it.

Before the cognizing eye of his music listener, in the sounding description, the musical creator continuously weighs the advantages of this or of that path to higher musical knowledge, to more joy, to greater happiness.

And if, at first, the listener is not able yet to believe all the joy and happiness – due to his present mental-psychical constitution – and therefore rejects him, then the musical creator skilfully diverts his mind away from his bleak thoughts and then takes him, for example, to a general discussion of fate and into a musical debate on the influences of the environment.

At first, he will show the listener that influences of the environment may indeed restrict the free course of man’s life. But then he dispels this outer limitation again systematically and skilfully.

 

                                                                                
 


Reference work: Peter Huebner –
Natural Music Hearing
© AAR EDITION INTERNATIONAL 1982
 

 

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M U S I C   H E A R I N G
MUSIC HEARING

IV
THE LIVING
EXAMPLE OF THE
MUSICAL COGNITION OF TRUTH

The Example of the
Composer in the
Cognitive Process
in Music

Fixed Principles in the Process of Gaining
Knowledge in Music

The Stream of Musical
Gaining Knowledge

The Process of Musical Consideration

Streams of Energy and Intelligence in the
Process of Gaining
Knowledge in Music

The Inner Logic of the
Musical Process of Knowing

The Musical Creator
Carries his Natural
Responsibility

The Listener’s Freedom from Fate