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Editorial
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MUSIC HEARING    


Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top


Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top


Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top


Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top


Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top


Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top


Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top


Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top

• The Path of Knowledge and the Goal of Truth

• The Fields of Knowledge in the Musical Representation

• The Musical Way of Cognition to Wisdom and
   Happiness of Life


• Absolute Love of Truth in Music

• Ancient Truths in Music

• The Golden Net of Knowledge in Music

• The Great Musical Sense of Achievement

• The Organs of Cognition in the Process
   of Gaining Knowledge in Music


• Necessity of the Neurophysiological Integration

• The Performance of the Self-Awareness
   in the Musical Process of Knowing


• The Self-Awareness Systematically
   Practises Self-Identification


• Insight into the Basis of Music

• Fundamentals of Modern Musicology

• Limitations of Conventional Musical Education

• Increase of Performance of the Intellect in Music

• The Eigenfunction of the Intellect
   as the True Musical Creator


• The Journey to the Eternal Sources of Music

• The Highest Intellectual Achievement Possible to Man

• Authentic Successful Musicology

• The Music Listener at the Origin of
   All Creative Thinking


• Purposeful Development of Performance
   in the Field of our Neurophysiology


• The Musician and His Surroundings

• The True Organs of Finding Truth in Music

• The Secret Exchange of Experiences of the Listener
   with the Creative Form of the Music Creator


• The Great Musical Turning-Point

• The Father of the World-Creators in Music

• The Technique of Conveying Truth in Music

• The Fires of Cognition of Music

• Step by Step the Social Awareness Awakens
   in the Listener


• Knowing Unity in Music

• Equivocation Due to Separateness
   of Meaning and Form


• The Dual Musical Truth

• Equivocation through Deducing
   the Meaning from the Form


• Equivocation through Deducing
   the Form from the Meaning


• Superficial Deduction

• The System of the Creative Process in Music

• Contradiction to Fundamental Truths in
   the Musical Gaining of Knowledge

• The Three Steps towards Truth

• The Cognizant Music Listener

• The Object of Knowing in Music

• The Process of Knowing

• The Art of Drawing Conclusions in Music

• The Musical Experience of the Almighty Creative
   Force of the Harmony


• The Purpose of Musical Logic

• Musical Enlivening of the Self-Awareness
   in the Listener


• The Joy-Giving Process of Creativity

• The Fallacy in Gaining Knowledge in Music

• No Deduction in the Absolute Musical Force-Field of    the Harmony

• The Contradictory in Gaining Knowledge in Music

• The Answer Being Equivalent to
   the Question in Music


• The Level of Perfect Creativity of
   the Absolute Tone-Substance


• The Unproved in Gaining Knowledge in Music

• The Secret Rulers of the Tonal Stars of Music

• The Secret Ruler of All Music

• Knowing the Unreality of the Outer Musical    Happening

• Belated


Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top

• The Example of the Composer in
   the Cognitive Process in Music


• Fixed Principles in the Process
   of Gaining Knowledge in Music


• The Stream of Musical Gaining Knowledge

• The Process of Musical Consideration

• Streams of Energy and Intelligence
   in the Process of Gaining Knowledge in Music


• The Inner Logic of the Musical Process
   of Knowing


• The Musical Creator
   Carries His Natural Responsibility


• The Listener's Freedom from Fate

Part XI
INDIRECT AND DIRECT
GAINING KNOWLEDGE IN MUSIC

Part XII
THE PATH OF KNOWLEDGE AND
THE GOAL OF TRUTH

Part IV
THE LIVING EXAMPLE
OF THE MUSICAL COGNITION OF TRUTH

Part VI
THE SYSTEM OF INTELLECTUAL
DISCUSSION IN MUSIC

Part X
THE ULTIMATE GOAL OF
GAINING KNOWLEDGE IN MUSIC

Part VII
ERRORS IN GAINING KNOWLEDGE
IN MUSIC

Part VIII
EQUIVOCATION

• Musical Confrontation of Feeling and Understanding

• The Nourishing Flood of Pure Alertness
   in the Harmony


• The Musical Dispute

• The Understanding Without the Perfect
   Nourishment of Pure Self-Awareness


• The Process of Intellectual Clarification in Music

• Feeling and Understanding in the World of the    Harmony

• The Absolute Sound-Substance in Perfect Function

• The Musical Dispute as the Most Free Kind
   of Playful Diversity


• Musical Depreciation

• Structural Musical Analysis of Values

• Breaking Off the Cognitive Process in Music

• Natural Structuring of the Sound Pattern in Music

• Empirical Gaining Knowledge in Music

• The Unlimited Course of Life in Music

• The Levels of Gaining Knowledge in Music

• The Process of Musical Perception

• The System of Musical Deduction

• The Technique of Musical Comparison

• Music-Analysis and Music-Synthesis

• The Steps of Musical Cognition

• Creating Music as an Empirical Process
   of Knowing


• The Authentic Musical Statement

• Integration of Outer and Inner
   Musical Knowledge

• The System of the Fields of Knowledge in Music

• The Function of the Fields of Cognition in Music

• Immediate Knowledge of the Musical Meaning

• The Structure of the Fields of Cognition in Music

• The Fields of Knowledge
   of the Musical Representation


• Patterns of Perfect Education in Music

Part I
THE OBJECT OF GAINING KNOWLEDGE
IN MUSIC

Part II
THE LOGIC OF THE MUSICAL FIELDS
OF COGNITION

Part III
IMMORTAL AND MORTAL TRADITION
OF MUSIC

Part IX
THE SECRET OF MUSIC

Part V
THE THREE GREAT STEPS
OF THE MUSICAL PROCESS
OF GAINING KNOWLEDGE

T H E M E S
 

 

 
Reference work: Peter Huebner – Natural Music Hearing
ฉ AAR EDITION INTERNATIONAL 1982

 

MUSIC HEARING

I
THE OBJECT
OF GAINING

KNOWLEDGE
IN
MUSIC

II
THE LOGIC OF THE MUSICAL FIELDS
OF
COGNITION


III
IMMORTAL AND MORTAL
TRADITION OF MUSIC


IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION
OF TRUTH


V
THE THREE GREAT STEPS OF
THE MUSICAL PROCESS OF
GAINING KNOWLEDGE


VI
THE SYSTEM OF
INTELLECTUAL DISCUSSION
IN MUSIC


VII
ERRORS IN GAINING
KNOWLEDGE IN MUSIC


VIII
EQUIVOCATION


IX
THE SECRET OF MUSIC


X
THE ULTIMATE GOAL OF
GAINING KNOWLEDGE
IN MUSIC


XI
INDIRECT AND DIRECT
GAINING KNOWLEDGE
IN MUSIC


XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH

• The Measure of Musical Perfection

• The Freedom of the Musical Meaning

• Doubt in the Process of Finding Musical Truth

• Producing Heat and Cold in Music

• The Harmonizing Nature of True Classical Music

• The Intention of Conveying Truth in Music

• The Totality of All Happiness of Life in Mind

• Ultimate Knowledge in Music

• The Creative Power of the Absolute Sound-Substance

• The Art of Discrimination in Music

• The Art of Not Being Bound in Music

• The Six Treasures of Musical Cognition

• Control over the Mind

• Control over the Sense of Hearing

• Abstaining from Limitation

• Patience

• Belief

• Equanimity

• Desire for Liberation





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