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MML® – Founder
Editorial
R & D
PART   XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC

 

Making the Genuine
Understanding of
Music Generally
Accessible

 


Spiritual Awakening
of the Music Creator

 

 

 

 

 

 

 


The Significance of
the Self-Awareness
for Our Tools
of Cognition

 

 

Beyond Musical
Creativity

Fundamentals of Modern Musicology

Only if the science of music concentrates in essence on the systematic exploration of our self-consciousness – when it succeeds in performing this research programme with scientifically-objectively verifiable success – only then will it truly unite with music and make the genuine knowledge of the origin, essence, and goal of music universally available.

Indeed, our self is nature-given, is inborn to man; but this does not mean automatically that everyone has discovered his self-awareness, this basis of the art of sound, and brought it to unfoldment within himself.

 

“Now I understand that consciousness, too, is a matter of development. A composer can comprehend these great principles only as much as his unfoldment allows.“

                                         Edvard Grieg

 

But also for the full use of our intellect, our feeling and understanding, as well as our inner sense of hearing, the development of our self-awareness is of fundamental importance.
For it is our self-awareness, through which energy and intelligence flow to our inner organs of cognition – the energy and intelligence that is needed to truly and authentically comprehend the work of music.

The state of deep sleep – as different from the state of restful alertness – is only an expression of the fact that our inner sense of hearing and our intellect are insufficiently nourished.
In such a case we are absolutely ill-prepared for authentic music-listening – not to speak of music-creating – from the very onset of our cognizing faculty, since we are asleep at the very depth of musical creativity.

Therefore, we can recognize the inner flow of natural musical-creative unfoldment in pieces at best; our “musical insights” can at best consist of sounding, finite fragments from the periphery of an originally complete music.

 

                                                                                 

 

 

 

 

 

 

 

 

Reference work: Peter Huebner – Natural Music Hearing
© AAR EDITION INTERNATIONAL 1982
 

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M U S I C   H E A R I N G
MUSIC HEARING

XI
INDIRECT AND
DIRECT GAINING
KNOWLEDGE
IN MUSIC

Ancient Truths
in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of
Cognition in the
Process of Gaining

Knowledge in Music

Necessity of the
Neurophysiological

Integration

The Performance of the Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically

Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of
Conventional Musical
Education

Increase of
Performance of the
Intellect in Music

The Eigenfunction of
the Intellect as the

True Musical Creator

The Journey to the
Eternal Sources of
Music

The Highest
Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at
the Origin of All
Creative Thinking

Purposeful
Development of
Performance in the
Field of our

Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music