The
Dual Function
of the Intellect in
the Musical
Cognition of Truth
Music-Creating
and
Music-Listening in
Comparison
The
Eigenfunction
of Gaining
Knowledge in Music
The technique of comparison is based on the dual function of our intellect which we previously described as being on the one hand:
At the same time, these two processes of musical cognition, outer cognition of the music listener and inner cognition of the composer, are submitted to a comparison by our self-awareness.
Thus, our intellect, our feeling and understanding, are integrated towards the level of pure self-awareness and are thereby raised musically into the field of the harmony; for only in this absolute musical force-field of the harmony our tools of cognition can make a perfect comparison between the unity and the diversity of music.
This comparison
between the musical insights of our feeling and of our understanding puts
our intellect, and therewith our musical process of knowing, into the state
of a self-sufficient eigenfunction.
And in terms of this twofold musical cognition of truth, our intellect swings
within itself.
Reference work: Peter Huebner Natural Music Hearing
© AAR EDITION INTERNATIONAL 1982