intelligence                  creativity                     harmony
    
    
a useful connection
Micro Music Laboratories – Research & Developement
Micro Music Laboratories – Research & Developement
    
 
HOME
MML® – Founder
Editorial
R & D

 

 


Identification with
the Musical
Statement

 

 

 

 

 

Full Knowledge of
the Musical
Meaning

 

 


Natural Integration
of Tradition and
Progress in Music

 

PART   II
Integration of Outer and Inner
Musical Knowledge

What our intellect originally drew only from the musical sound-space i.e. from the outer musical presentation it now perceives deep within, in our innermost self: on the one hand, we hear the musical work from outside and glean the musical meaning from it, and on the other hand, we simultaneously discover the existence of such a truth within ourselves.

We might say: we identify ourselves with the musical statement; for, as listeners, we now identify the outer resounding musical work with our own, corresponding, inner musical work which is unfolding on the level of our self-awareness.

At this moment, when we listeners perform this identification of outer and inner musical knowledge in the supreme function of our feeling and understanding in the field of our pure self-awareness then a distinction between music-listening and music-creating no longer exists for us.
In this manner we attain a unified musical meaning with a single one musical form which clads the meaning into a garment of tones.

This one total musical statement, which grew from the doubtlessness of what we heard within and without, is what we call the “authentic musical statement.”
In the deepest sense of the word it is a listener’s compounded testimony of the musical truth; for the listener is now simultaneously a creator of music.

Now the musical statement corresponds to the original concept of the composer whose work continues to resound in the concert hall.

This is the integration between the music listener and the music creator, between the music student and the music teacher.

 

                                                                                

 

Reference work: Peter Huebner – Natural Music Hearing
© AAR EDITION INTERNATIONAL 1982
 

 

THE LOGIC OF THE MUSICAL FIELDS OF COGNITION
a useful connection
science                         music                            art
M U S I C   H E A R I N G
MUSIC HEARING

II
THE LOGIC OF
THE MUSICAL FIELDS OF
COGNITION

Empirical Gaining
Knowledge in Music

The Unlimited Course of Life in Music

The Levels of Gaining
Knowledge in Music

The Process of
Musical Perception

The System of Musical Deduction

The Technique of
Musical Comparison

Music-Analysis and
Music-Synthesis

The Steps of Musical
Cognition

Creating Music as an
Empirical Process of Knowing

The Authentic Musical Statement

Integration of Outer
and Inner Musical
Knowledge