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The Pure
Knowledge of the
Reality of Music

 


The Unrealistic
Course of the
Musical Process of
Gaining Knowledge


Beyond Higher and
Lower Musical
Meaning

 

 

 

Illusion of the
Relative Gaining
Knowledge


The Unreality of
Created Music

PART   VII
The Belated

This cognitive vision, in which we compare the totality of the absolute music in the infinite musical force-field of the harmony with the relative force-fields of music, reveals to us how the latter, in their entirety, unfold from the harmony.
With this insight, our original concept of the reality of music is simply turned upside down.

In the relative field of musical structural change we gradually inferred an increasingly higher musical meaning – at least we thought we did.
Thereat our entire process of knowing was subject to space and time.

However, from the cognitive world of the harmony, we now realize that the terms “higher or lower musical meaning” have no relevance at all.
Just as one believes one could conclude an object from its shadow – although the shadow actually is a void of light and, indeed, nothing real – likewise we make-believe cognizers thought to gradually conclude a higher musical meaning, a higher musical truth, a higher musical knowledge in our supposed relative musical process of gaining knowledge.

Seen from the absolute musical field of the harmony, however, such a supposed process of knowing takes place as little as a shadow gives us the object by which it is thrown.

From the field of pure self-knowledge, from the absolute force-field of the harmony, we understand the non-reality of the relative sphere of music – and, correspondingly, of relative musical knowledge – and we are even sure now that our personal musical way of knowledge into the infinity of the harmony was only possible by virtue of a miracle – although, maybe, a musical miracle.
Such is the nature of musical knowledge.

 

                                                                                   
 
 

Reference work: Peter Huebner – Natural Music Hearing
© AAR EDITION INTERNATIONAL 1982
 

 

ERRORS IN GAINING KNOWLEDGE IN MUSIC
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M U S I C   H E A R I N G
MUSIC HEARING

VII
ERRORS IN GAINING
KNOWLEDGE
IN
MUSIC

The Fallacy in Gaining
Knowledge in Music

No Deduction in the
Absolute Musical
Force-Field of the
Harmony

The Contradictory in
Gaining Knowledge in
Music

The Answer Being
Equivalent to the
Question in Music

The Level of Perfect
Creativity of the
Absolute
Tone-Substance

The Unproved in
Gaining Knowledge in

Music

The Secret Rulers of
the Tonal Stars of

Music

The Secret Ruler
of All
Music

Knowing the Unreality
of the Outer Musical
Happening

The Belated