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Micro Music Laboratories – Research & Developement
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R & D
PART   VIII
EQUIVOCATION

 

The Synthesis of the
Musical Meaning

 



The Structure of the
Creative Process in
Music



Synthesis and
Analysis in
Superficial Musical
Deduction

The System
of the Creative Process in Music

However, we find yet another kind of superficial deduction, namely the deduction of a surface from the content, and this refers to the creative process in music as it extends from the absolute force-field of the harmony through the sequence-spaces and the motif-spaces into the musical sound-space.

In this case, the content of the music – the infinitely condensed, universal, musical multiplicity of the harmony – is systematically made grosser, and in the course of this “creating” it appears as the musical creation of a composer.

These two kinds of superficial deduction correspond either to a deduction from our standpoint as music listeners, or to a deduction from our standpoint as music creators.
In the dissimilarity of their deduction they are very naturally rooted in the dissimilarity of our states of knowledge.

 

                                                                                 
 

 

Reference work: Peter Huebner – Natural Music Hearing
© AAR EDITION INTERNATIONAL 1982

 

 

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MUSIC HEARING

VIII
EQUIVOCATION

Equivocation Due to
Separateness of

Meaning and Form

The Dual Musical Truth

Equivocation through
Deducing the Meaning
from the Form

Equivocation through
Deducing the Form

from the Meaning

Superficial Deduction

The System
of the Creative Process in Music

Contradiction
to Fundamental Truths
in the Musical
Gaining of Knowledge