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ETHNIC MUSIC
The Image of Musical Beauty
Scientific
Fundamentals of
Music Aesthetics

 

 


The Science of the
Laws of Coordination
in Music



The Level of
Realization of Musical
Beauty

The Coordination of
Harmony-Technique
and Sequence


The Unified Field of all
Musical Laws

When the three spheres of organization – the motif-technique, the sequence-technique, and the harmony-technique – execute their full individual sovereignty over their respective worlds, the fascination of the outer lively figures of motifs and sequences arises.

If, however, the three custodians of law, the motif technique, the sequence technique, and the harmony technique, govern the musical events in complete union from the level of harmony, the very image of beauty in music arises within the listener.

The principles of perfect beauty in music develop only from the complete union of the ruling forces in music; thus, beauty reveals itself as the expression of integration itself – as the standard of perfect coordination, and the field of music aesthetics, we find, is the science of the laws of coordination.

The stronger the unity of the ruling musical parameters is realized and the higher the integration of the parameter levels controlled, the clearer the infinite beauty of music reveals itself.

The harmony-technique is the world of the innermost and most comprehensive laws of the musical event. The sequence applies these laws in the social orders of music. It inspires and guides the individual motifs according to these laws.

Within the harmony all laws are united: the comprehensive laws of the harmony-technique, as well as the less comprehensive laws of the sequence-technique, and the even less comprehensive laws of the melody-technique and of the motif-technique.

 

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©  Micro Music Laboratories  2001

 

SCIENTIFIC
FUNDAMENTALS
OF MUSIC
AESTHETICS


The Image of
Musical Beauty

The Embodiments
of Harmony

Motivation and
Responsibility
of the Musician

Reversal of the Reality
of Creating Music

Analysis of the
Process

of Creating Music

Music Theory

The Natural Potential
of the True Artist

Synthesis of the
Artistic and Cultural
Achievement of Music

Ethnic Music                                                            continued 16