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ETHNIC MUSIC
The Embodiments of Harmony
Ethnic Music                                                            continued 17
The Holistic Function
of the Harmony in the
Musical Work

 

The Features and
Forms of the Harmony




The Musical Force-
Fields between Inner
Hearing and Inner
Cognizing

The Harmony-
Technique Functioning
as Holistic Law

 




The Long Journey of
the Harmony through
the Musical Levels of
Creativity

Thus, the harmony radiates as the one great soul of the composition throughout the entire musical work.
This universal soul manifests in the multiplicity of the individual souls, in the forms of sequence and motifs; but harmony is also manifest in the inanimate world of music, the musical sound-space.

Harmony itself has infinitely many aspects which are expressed in the unbounded diversity of the motifs, the melodies, and the sequences. Yet, all these different features and forms are but the colourful expression of the one harmony playing with itself, within itself – according to its own powerful laws.

The knowledge of these laws of musical unfoldment lies between the inner hearing and the inner cognizing in an area of the mind, which integrates hearing and cognizing.

From within the harmony, all the laws of music aspire to their application through the harmony-technique. The harmony- technique also symbolizes the aspiration of all the laws of music to express themselves in the world of music.

Thus, the harmony-technique joins the beauty and power of the harmony, resting within themselves, with the sounding world of enlivened music, and expresses this truth in its purest form on the level of the sequence.

After a long journey through the different levels of the composition the harmony eventually reaches the immediate proximity of the musical sound-space where it expresses itself in the power and beauty of the song of the melody.

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©  Micro Music Laboratories  2001

SCIENTIFIC
FUNDAMENTALS
OF MUSIC
AESTHETICS


The Image of
Musical Beauty

The Embodiments
of Harmony

Motivation and
Responsibility
of the Musician

Reversal of the Reality
of Creating Music

Analysis of the
Process

of Creating Music

Music Theory

The Natural Potential
of the True Artist

Synthesis of the
Artistic and Cultural
Achievement of Music